OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
鹿鼎记群芳夜宴清代工笔八人群像
The Deer and the Cauldron: Ladies' Night Banquet, Qing Dynasty Gongbi Eight-Figure Group Portrait
A wide 1.9:1 Qing-Dynasty court Gongbi group portrait of Wei Xiaobao centered at a long banquet table, with seven named women arranged three left and four right; only the horizontal grouping is borrowed from The Last Supper composition.
提示词 / Prompt
中文提示词
创作一幅约 1.9:1 的横向群像，表现《鹿鼎记·群芳夜宴》的清代华丽宴席场景。画风采用精致的清代宫廷工笔人物画：线描细腻，设色雅致而富丽，面容清晰秀美，服饰纹样精致，并具有中国古典群像长卷般的秩序感。 沿一张横向长桌严格安排八位清晰可见的人物。韦小宝位于画面正中央，作为视觉与叙事核心。以观者视角，画面左侧从靠近中央到外侧依次为三人：苏荃、双儿、阿珂；画面右侧从靠近中央到外侧依次为四人：建宁公主、方怡、沐剑屏、曾柔。准确保持八人总数、身份、位置和左右顺序。人物沿长桌形成完整连贯的横向群像，通过自然的目光、手势和表情互动，呈现热闹而微妙的人物关系；不要把人物分散到其他区域。中央主要可见人物使用配置的身份参考。 仅借用《最后的晚餐》中中央人物、左右分组、横向长桌及人物围桌展开的宏观构图关系。不得出现或借用西方宗教人物、符号、图像元素或宗教场景。故事、人物、服饰、器物、建筑和整体绘画语言均须保持在《鹿鼎记》的中国古典语境中。 场景设为清代华丽夜宴。长桌上摆放中式酒器、瓷盘、点心、果品与宴席菜肴。背景可为王府内厅或华美古典厅堂，并配以合适的屏风、宫灯、锦帐和雕花木构。人物穿清代贵族与闺阁风格服饰，并体现各自不同气质：苏荃成熟端庄、沉稳从容；双儿温柔忠顺、清秀体贴；阿珂冷艳出众、明丽动人；建宁公主娇蛮灵动、神情鲜活；方怡秀丽聪慧、略带矜持；沐剑屏柔婉纯真、略显羞怯；曾柔娴静温婉、清雅含蓄。确保宽幅画面中八人、面容、服饰与桌上器物均清晰可辨。避免人物增减或顺序错乱、西方宗教元素、现代物品、文字、标志和水印。
English prompt
Create a wide horizontal group portrait in an approximately 1.9:1 aspect ratio, depicting the banquet of beauties from The Deer and the Cauldron in a lavish Qing-Dynasty setting. Use the visual language of refined Qing court Gongbi figure painting: delicate linework, elegant yet rich coloring, clear graceful faces, intricate costume patterns, and the ordered atmosphere of a classical Chinese group-portrait handscroll. Arrange exactly eight clearly visible characters around one long horizontal banquet table. Wei Xiaobao is the exact visual and narrative center. On the viewer's left, place exactly three women in this order from center outward: Su Quan, Shuang'er, A Ke. On the viewer's right, place exactly four women in this order from center outward: Princess Jianning, Fang Yi, Mu Jianping, Zeng Rou. Preserve all eight identities, count, positions, and left-to-right order. Keep the figures connected as one continuous horizontal group, with natural exchanged glances, gestures, and subtle lively interaction; do not scatter anyone into another area. Use the configured identity reference for the central main visible person. Borrow from The Last Supper only the broad composition relationship of a central figure, left/right grouping, long horizontal table, and figures unfolding around it. Do not depict or reference Western religious people, symbols, iconography, or scene elements. The story, characters, clothing, objects, architecture, and art direction must remain within the Chinese classical world of The Deer and the Cauldron. Stage a magnificent Qing-Dynasty night banquet. Place Chinese wine vessels, porcelain dishes, snacks, fruit, and banquet foods on the table. Set the background in a prince's mansion hall or another opulent classical interior, with suitable screens, palace lanterns, brocade curtains, and carved wooden architecture. Dress the characters in Qing noble and inner-court attire with distinct temperaments: Su Quan mature, dignified, and composed; Shuang'er gentle, loyal, delicate, and considerate; A Ke striking, cool, and glamorous; Princess Jianning lively, willful, and expressive; Fang Yi beautiful, clever, and somewhat reserved; Mu Jianping gentle, innocent, and shy; Zeng Rou quiet, warm, elegant, and understated. Ensure faces, costumes, tableware, and all eight people remain clearly readable in the wide frame. Avoid extra or missing figures, reordered characters, Western religious elements, modern objects, text, logos, and watermarks.
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