OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
雨序：当代东方材料档案展览海报
Rain Sequence: Contemporary Eastern Materials Archive Exhibition Poster
一张9:16当代东方人文展览海报，以“雨序 / Rain Sequence”为主题；暖象牙纸留白与纵向宋体标题平衡右下角被自然裁切的陶器水纹主视觉、中部半透明雨痕纸带和小型桂花档案标本，呈现低饱和哑光纸本与独立艺术出版物气质。
提示词 / Prompt
中文提示词
设计一张竖版9:16的当代东方人文艺术展览海报，融合东方自然美学、材料档案、独立艺术杂志气质与现代编辑设计。画面安静、克制、优雅，具有明确纸本感；不做传统国潮，也不做商业广告。主题为雨序。 严格保持版式：在画面右下角放置明显放大的一件表面泛起细腻水纹的大型手作陶器，约占画面50%–60%，并由右边缘或底边自然裁切，形成强烈视觉锚点。从顶部垂下一条一条带有淡淡纵向雨痕的半透明手工纸，位于中部偏左，约占画面宽度20%–25%；保持半透明、低对比与材料感，不可抢过主视觉。左侧保留充足暖米白留白。将中文标题“雨序”以竖排方式呈现，只用2–4个汉字，采用纤细修长的现代宋体或精致中文衬线字形。其下方排印英文标题“Rain Sequence”，使用优雅纤细的英文衬线字体。加入成对短句“雨落有痕，器物藏时” / “Rain leaves a trace; vessels hold time.”，并只放少量微型编辑信息。 使用固定小型信息系统：左上放材料档案 · 03；右上放极小的一枚小型桂花植物标本及准确关键词“RAIN / CLAY / TIME”；左下放“2026年秋｜东方材料档案展｜当代艺术空间”。小字稀疏、清楚且有意义，不要填满画面或编造无关文案。 背景采用干净温润的暖象牙白高级艺术纸，保留细微天然纸纤维、细颗粒与Offset Print胶印质感。使用暖象牙米白、灰褐、浅赭、灰绿与墨褐进行低饱和、柔和、哑光的配色；避免纯黑纯白、高饱和渐变及商业亮色。保留纸纤维、陶土与水纹的真实触感，但不做过度锐化、HDR或CGI。远看时左侧标题、中部垂直结构与右下巨大主视觉必须清晰成立；近看才发现档案小物和微型排字。引号内文案必须逐字准确呈现，不得拼错或添加额外文字。最终效果应像真实存在于当代艺术馆、文化机构或独立出版物中的展览海报，而非模板占位设计。
English prompt
Design a contemporary Eastern humanistic art-exhibition poster in a vertical 9:16 layout, blending natural aesthetics, material archives, independent art-magazine sensibility and modern editorial design. Keep it quiet, restrained, elegant and distinctly paper-based—not traditional guochao and not a commercial advertisement. Theme: Rain Sequence. Strictly preserve this layout: place an enlarged a large handmade ceramic vessel with delicate water ripples across its surface in the bottom-right, occupying about 50–60% of the image, naturally cropped by the right edge or bottom to form a strong visual anchor. Hang a translucent strip of handmade paper marked by faint vertical rain traces from the top in the middle-left, about 20–25% of image width; keep it translucent, low-contrast and material-led so it never competes with the main visual. Leave generous warm rice-white negative space on the left. Set the exact Chinese title “雨序” vertically in slender modern Songti or refined Chinese serif forms, 2–4 Chinese characters only. Place the exact English title “Rain Sequence” beneath it in an elegant slender English serif. Add the paired slogan “Rain leaves a trace; vessels hold time.” / “雨落有痕，器物藏时” and only a little micro-editorial copy. Use a small fixed information system: put MATERIAL ARCHIVE · 03 at top-left; at top-right show a tiny a tiny pressed-osmanthus specimen plus the exact small keywords “RAIN / CLAY / TIME”; at bottom-left show “AUTUMN 2026 | EASTERN MATERIAL ARCHIVE | CONTEMPORARY ART SPACE”. Keep small type sparse, legible and meaningful; do not fill the page or invent unrelated copy. Use clean warm-ivory art paper with subtle natural fibers, fine grain and offset-print texture. Apply warm ivory rice white, taupe, light ocher, gray-green and ink brown in a low-saturation, soft matte treatment; avoid pure black/white, saturated gradients and commercial bright colors. Preserve tactile material detail—paper fibers, ceramic clay and water ripples—without oversharpening, HDR or CGI. From a distance the left title, central vertical structure and huge lower-right visual must read clearly; close viewing reveals the archive object and microtype. Render all quoted copy exactly as supplied, with correct spelling and no extra text. The result should feel like a real contemporary art-museum, cultural-institution or independent-publication exhibition poster, not a template placeholder.
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