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新中式古诗词细线设色艺术海报

Neo-Chinese Fine-Line Ink Art Poster of Classical Poetry

将用户提供的古诗、标题和可视化要素编排为竖版9:16新中式装饰插画海报；工笔细线、柔云状树冠、青绿建筑、克制东方配色，并准确呈现用户提供的中文标题、诗句和作者。

新中式古诗词细线设色艺术海报 — AI image creation
新中式古诗词细线设色艺术海报

提示词 / Prompt

中文提示词

创作一张竖版9:16新中式装饰插画海报。仅以以下用户提供的内容作为诗意意象与文字来源。 严格使用的内容 诗词标题：请填写古诗词标题 作者：请填写作者姓名 诗词原文：请粘贴准确完整的诗词原文 海报主标题（2–4个代表性汉字）：请填写2–4个代表性汉字作为海报主标题 核心视觉意象：请填写诗词中可视化的核心意象 画面场景：请填写符合诗意的画面场景 空间或动作关系：请填写意象之间的空间或动作关系 主色调（选择2–3种协调的传统色）：请填写2–3种协调的东方传统色 将所提供诗词的意象与情绪转化为完整、精致的画面。不得编造、改写、遗漏或篡改所提供的诗词标题、作者姓名或诗文字符。除非诗文或视觉要素明确提供，否则不要添加人物、亭台或其他主体。构图应回应所提供的场景，不反复套用固定庭院布局。 画风与植物形态 结合现代中式装饰插画与传统工笔细线描。树冠塑造成柔软云团状的完整色块，边缘采用细腻的粉末点染质感，内部穿插纤细、连续、自然分叉的墨黑线条。尊重植物真实生长形态并进行艺术化概括：藤蔓自然垂挂，花簇疏密有序，枝叶轮廓优雅；以完整的大色面表现植物，不逐片描绘每一片花瓣和叶子。 建筑与构图 仅当所提供场景中有建筑时，才采用精细规整的青绿色瓦片、优雅飞檐、暖白墙面和少量朱红木结构。采用高位俯瞰、东方散点透视与现代平面构成。根据已提供的花木形态、枝条穿插、适当的建筑遮挡、自然曲线和大面积暖米白留白组织画面，保持视觉层级清晰：建筑可精描，植物宜概括；若诗文明确写有人物，则人物简练并置于次要位置。地面或水面保持简洁，只用少量细线和不规则墨色阴影表现空间。 色彩与材质 以所提供的2–3种主色为主，可从石青、石绿、黛青、朱砂红、藤紫、粉赭、暖象牙白中选择或协调搭配。通过墨色细线与暖白留白平衡冷暖。色面饱满均匀、哑光，浓郁而克制；避免色彩杂乱、复杂渐变、厚重纹理和人工做旧。呈现干净、细腻的纸本质感。 中文海报排版 以温暖象牙白中文字体醒目呈现所提供的2–4字主标题，将其置于画面中适合的深色区域并融入景观。在适当留白处以精致的小型竖排中文准确呈现所提供的诗词原文及作者姓名。逐字保留所有汉字与标点；不得虚构缺失文字，也不得添加展览信息、编号或装饰性伪文字。可加入一至两枚克制的朱砂印章作为无文字图形。确保文字清晰易读、层级分明。 最终效果 保持连贯的大色块、柔软云团状树冠、连续纤细的墨线、需要时才出现的精致青绿建筑，以及优美留白；诗意意象应彼此协调。避免写实摄影、3D、动漫、油画厚涂、浓重水墨、逐片密画的花叶、无必要的繁杂建筑或地面、过度颗粒和刻意做旧。最终呈现成熟东方装饰美学下画风统一、诗意鲜明的新中式古诗词海报。

English prompt

Create one vertical 9:16 New Chinese-style decorative illustration poster, using only the supplied content below as the source of its poetic imagery and wording. CONTENT TO USE EXACTLY Poem title: 请填写古诗词标题 Author: 请填写作者姓名 Original poem text: 请粘贴准确完整的诗词原文 Poster headline (2–4 representative Chinese characters): 请填写2–4个代表性汉字作为海报主标题 Core visual imagery: 请填写诗词中可视化的核心意象 Scene: 请填写符合诗意的画面场景 Spatial or action relationships: 请填写意象之间的空间或动作关系 Main palette (choose 2–3 harmonious traditional colors): 请填写2–3种协调的东方传统色 Translate the supplied poem's imagery and mood into a complete, refined scene. Do not invent, paraphrase, omit, or alter any supplied title, author name, or poem characters. Do not add people, pavilions, or other subjects unless explicitly supplied in the poem or visual fields. Let the composition respond to the supplied scene rather than repeating a fixed courtyard layout. STYLE AND BOTANICAL FORMS Combine modern Chinese decorative illustration with traditional Gongbi fine-line drawing. Build tree canopies as soft, cloud-like, complete color masses, with delicate powder-stippled edges and slender, continuous, naturally branching ink-black lines within them. Artistically simplify plants while respecting their real growth forms; show hanging vines as naturally pendant, organize blossom clusters with balanced density, and keep branch and leaf contours elegant. Use broad, unified color planes rather than rendering every petal and leaf separately. ARCHITECTURE AND COMPOSITION When architecture is present in the supplied scene, use fine regular blue-green roof tiles, graceful flying eaves, warm-white walls and restrained cinnabar-red wood. Use a high-angle view, Oriental scattered perspective and modern flat composition. Organize the image with the supplied plant forms, interwoven branches, appropriate architectural overlaps, natural curves and generous warm rice-white negative space. Keep visual hierarchy clear: architecture may be finely described, plants broadly grouped, and any explicitly supplied figures concise and secondary. Keep ground or water simple, with only a few fine lines and irregular ink shadows. COLOR AND MATERIAL Use the supplied 2–3-color palette as the dominant scheme, chosen from or harmonized with azurite, mineral green, dark cyan, cinnabar, wisteria purple, pink ochre and warm ivory. Balance warm and cool colors with ink-black fine lines and warm-white negative space. Keep color planes even, matte and rich but restrained; avoid cluttered hues, complex gradients, heavy texture and artificial aging. Use a clean, delicate paper-like finish. CHINESE POSTER TYPOGRAPHY Render the supplied 2–4-character headline prominently in warm ivory Chinese lettering, placed against a suitably dark area of the composition and integrated with the scene. In appropriate negative space, include the supplied original poem text in small, elegant vertical Chinese type and the supplied author name accurately. Preserve every Chinese character and punctuation mark exactly; do not fabricate missing text or add exhibition details, numbering or decorative pseudo-text. One or two restrained cinnabar seals may be included as nonverbal design marks. Keep all lettering legible and hierarchically clear. FINISH Maintain large coherent color masses, soft cloud-like canopies, continuous fine ink lines, refined blue-green architecture when called for, and generous negative space. Keep the poetic imagery internally coherent. Avoid photorealism, 3D, anime, thick oil paint, heavy ink wash, dense individually rendered foliage, unnecessarily complex buildings or ground, excessive grain and distressed aging. The result should feel like a polished, unified New Chinese-style poetry poster with mature Oriental decorative design.

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